Friday, April 5, 2013

CINEMATROPE review by Eric Bookhardt

The Gambit

March 26, 2013 Visual Arts » Art Review

Review: Cinematrope, by Ryn Wilson 

D. Eric Bookhardt is intrigued by the new show at the UNO St. Claude Gallery

     When we were young, we may have dreamed that our grown up lives would be like movies, epic adventures in which we were the stars and wrote the script instead of our mostly uncool parents. Only as adults did we learn that life is a collaboration of luck, intention and circumstance even if our dreams remained as cinematic as ever. Walker Percy explored this theme in the novel The Moviegoer, and now Ryn Wilson offers her take on it in this Cinematrope show, in which she often stars and writes the script, yet mostly remains a creature of context. Especially emblematic is Traces (pictured), a photograph of a woman toting a vintage valise into a foggy forest in a dreamlike scene that recalls Francoise Truffaut's flair for pastoral surreality. Here the setting dominates an image that evokes a deeply psychological sense of exile. Similar subtleties are heightened in a series of elegantly oblique diptychs, but Hitchcock sets the tone in The Fallen II, where a young woman in a short schoolgirl dress sprawls lifelessly at the bottom of a winding staircase. Wilson assumes a more personal role in a video of herself running alongside Cary Grant in the airplane scene in Hitchcock's North by Northwest, and peering in windows in Preston Sturges' The Lady Eve, but most of her work effectively taps the psychic reservoirs of cinematic myth we carry around inside us.
    In Sophie T. Lvoff's recent photography show at Tulane University's Carroll Gallery, the city itself was the star. Shadows of ironwork on cemetery walls mimicked the secret iconography of Voodoo hexagrams as cat's claw creepers scaled the walls of a desolate hardware store and ghostly figures in outlandish costumes appeared trapped behind fogged plate glass shop windows. Lvoff's understated images effectively evoked the intimate surprises that lurk, mostly unnoticed, around every corner: the secret lives of inanimate places and objects.


through April 6
Cinematrope: photographs and mixed media by Ryn Wilson
UNO St. Claude Gallery, 2429 St. Claude Ave., (504) 280-6493;